ArteAlta - the first edition of the art competition

The Alina Art Foundation, in collaboration with Inarttendu Smart Gallery of Aosta has promoted the first edition of the international contemporary art competition ArteAlta, an event that promises to leave a mark on the contemporary art scene.

The theme selected for this edition - fear - aims to explore the vast and intricate field of emotions aroused by this feeling. In an age where fear is often simplified to a pure instinctive reflex, the contest encourages artists to transform it into a fertile ground for critical analysis, deep reflection, and, ultimately, creative metamorphosis.

With an extraordinary participation of 432 artists from 18 countries, ArteAlta is configured as a transversal and high-level international platform. The works presented aim to explore the depths of fear, revealing its many facets. Through an open call, the artists were asked to investigate the feeling of fear in the plurality of its declinations in the candidate works - as a driver of change, as a fundamental element of our collective anxieties, and as a force that affects our daily decisions and emotions.

The project does not intend to limit itself to the exhibition of works of art but rather sets itself the ambitious goal of involving the public in an open and meaningful dialogue with fear, urging them to reconsider and re-evaluate their perceptions, placing art as a vehicle in the process of identifying and decoding the deepest and most universal emotions.

A jury of five experts in the field has selected twenty finalist works through a rigorous evaluation that will be set up in two successive exhibition venues, awarding among them four prizes (one of which ex aequo) and two special mentions.



The 20 finalists in the ARTEALTA competition represent a variety of artistic styles and approaches, offering an overview of contemporary art.
Three prizes were awarded and the 20 finalists selected by the 5-member jury:
- Sanda Sudor, president of Alina Art Foundation
- Luciano Seghesio, President of the Smart Gallery Innartendu in Aosta
- Barbara Pavan, curator, Italy
- Baharak Dehghan, curator, Netherlands
- Daria Jorioz, manager, Aosta Valley Autonomous Region

1st Prize

Enrica Berselli

In the sculpture Without Human Interferences , what obstructs the path is evoked: three limbs, in perpetual mutation as if to escape the moment of recognition, emerge from the wall as if to hold back those who find themselves walking next to them. Do fears act for our good, to invite greater caution, to contain the unreasonable impetus, or are they rather a limit to be recognized and overcome?

Work in competition:

Without human interference - Sculpture



2nd and 3td Prizes

2nd Prize ex aecquo
Alice Lupo Cecchet

The film "Balaena" explores the transience of the human and animal experience, an aspect that unites human and "non-human" beings. Through the visual analysis of a beached whale, the film invites the viewer to reflect on the finiteness of life, the decomposition of the body and the ephemerality of our existence. The whale in the film provides a point of view to re-evaluate our fears related to death and decay, offering a way to consider the interdependence of organisms and the value of empathy.

Work in competition:

Balaena - video


2nd Prize ex aecquo
Marijke De Pous

The work selected for the ArteAlta competition is part of the series "Choreographies of care and resistance". This particular piece addresses the fear of losing control in relation to internal and external unrest. We are in a battle that we cannot win. The more we try to tame our fears, the more our world shrinks and the less we feel connected to others. What would happen if we allowed ourselves to let go? Can we dance with our fears and turn them into something new?

Work in competition:

Choreographies of care and resistance - Photography


3rd Prize
Brigitte Amarger

When we are confronted with fear, guided by survival instinct and hope, it forces us to stand up and pushes us forward, allowing us to grow and explore new horizons.

Work in competition 

Homo exodus  - Installation


The Finalists

Martha Amorocho

In contexts permeated by insecurity, fear pushes us to develop strategies, whether they are escape or confrontation. You don't get used to fear, but you face it at every manifestation, thus changing your nature and temporarily transforming yourself with your wolf mask. This image represents a self-portrait masked and wrapped in my skins-veils-fears from which I freed myself.

Work in competition 

Mudando pieles -  Photography


Savina Capecci

A tumultuous movement of bodies involved in the escape or search for a land that the title The Pro-missed land, with the ambiguity of the words, keeps poised between the dimensions of hope and abandonment; That disorientation forces us to share it, observing from below the orange spots that outline the figures.

Life jackets?

Are we on a drifting boat?

Work in competition: 

The Pro-missed land -  Painting


Mohammad Sorkabi

An expression of fear is to be trapped in the past. It could be said that by enduring and observing our encounters with the past – often frightening and dangerous – we can transform it into something else. For artists, this transformation can take the form of their artwork. As a photographer, I have created this fear of facing the past in my photographs.

Work in competition: 

Tell me who I am - Photography


Federica Patera
Andrea Sbra Perego

An intimate fear that evokes death in a daily echo. To contrast, the title of the work, Can You Understand?, takes up the quotation on the panel; it is the next piece of sentence that, interlocutory, re-establishes the connection with the other, the dialogue, after having immersed oneself in the depths of oneself. I have a great fear of dying without ever really being seen. Can you understand?

Work in competition

 Can you understand?  - fiber art


Susanna Cati

The labyrinth presents difficulties worse than death, loneliness more fatal than a battle. The Minotaur is the beast to be faced, it is the lurking enemy, it represents the metaphor of the fears that can be hidden within us, to be able to eradicate which a suggestion is almost overshadowed here: we must descend into those labyrinths that grip the soul, into that inner forest where it will be impervious to be able to extricate oneself.

Work in competition:

Who doesn't have his Minotaur?

Textile sculpture


Lucia Bubilda Nanni

I can say that my panic attacks were blessed and mastered, not because in the end I obtained an absolution from the priest, but because they taught me to decipher the phrases, the minimum signs to understand and predict something, rationalize my emotional states and make the delays and rigidities of my skullcap harmless.

Work in competition: 

Benedetta Paura - Fiber Art


Annalisa Lenzi

The fear of the other. Fear for those who are different from us, whether it is in origin, religion, appearance or thought. Often, out of fear, we do not welcome him but reject him without even trying to get to know him better.

Work in competition: 

The Others -  Installation


Rana Feghali

Insomnia and fear often share a complex relationship. Fear and anxiety can contribute significantly to insomnia, making it difficult to relax enough to fall asleep. During times of war, when images of death, grieving mothers and trembling children invade our screens, the personal traumas I experienced during the civil war in Lebanon suddenly resurface, depriving me of sleep and reminding me of my helplessness in the face of such terror.

Work in competition

Insomnia - Fiber Art


Orazio Garofalo

Through a horizontal panorama, a Calabrian natural paradise is also explored in its specular and infernal reverse of war and annihilation. In this dark mirror, having crossed the boundary between two gazes, we perceive the ambiguous limit between human and non-human.

Work in competition: 

Death Landing  - video


Juris Efneris

The Moons of Mars was born from the primordial instinct of survival, using deep fear as a tool and transforming despair and pain into powerful symbols of resilience. Each piece, designed and sewn, one line at a time, weaves hope into a tapestry of fear. Witnessing how the process can transform even the deepest despair into a beacon of hope: it is a journey through fear, expressed with one's own words and creations.

Work in competition 

The Moons of Mars  - Installation



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Lisa Van  Noorden

At its core, Indomitable Spirit is an expression of the power of the soul

human. We talk about the ability to resist and overcome obstacles, no matter how insurmountable they may seem. The presence of danger and temptation reminds me of the constant threats to our balance. However, the main theme remains triumph and perseverance.

Work in competition: 

Indomitable spirit -  Installation


Laura Mega

Ceasefire emphasizes the forced blindness of contemporary human beings and their fear of fear.

We build physical, emotional and mental armor, to mask them we decorate them, creating the illusion that everything around us is normal and safe.

Work in Competition

Ceasefire - Fiber Art


Alessandro Botti

Overlaps and stratifications intertwine in a universe far from the nightmare. It is essential to approach the framework to understand... and discover that fear resides only within us.

Work in competition: 

Biostratifications - mixmedia


Francesco Di Giovanni

When it comes to migration and disembarkation, we often think only of men, forgetting the presence of migrant women, often invisible, who face the terror of the sea, dreaming of a better future for their children. However, the point of arrival often remains an unfulfilled dream.

Work in competition:

Mayday - video


Elisabeth Tronhjem

All human fears converge in the universal fear of the unknown, which manifests itself in the death of the many anxieties that characterize existence. Aware of their fragility and the transience of life, human beings create utopias that reveal the mystery hidden in the void, explore the inevitable transformation of matter in search of stability beyond form and, in the illusion of being able to delay an ineluctable common destiny, anchor their existence to reassuring ballast. We must confront reality, unmasking the deception of appearances and courageously welcoming the natural flow of time.

Work in competition: 

Pendent desire 

Sculpture - assemblage


Daphne Van De Velde

With a background in modern dance, I use my body to explore how to deal with the fear of one's desire and rejection, what love is, and why to distrust it, but not always. In this way, I was able to overcome my shyness.

Work in competition

Melting - video